A Chilling Documentary Review: Examining a Infamous Shooting Via the Perspective of a Florida Cop's Body-Cam

The real-life crime category has a new medium, or perhaps even a whole new language and structure: officer-worn camera recordings. Countenances of those harmed, observers and potential offenders appear suddenly to the cameras, at times in the intense brightness of vehicle beams or flashlights as the police arrive, their faces and voices expressing caution or fear or anger or suspiciously contrived innocence. And we often catch sight of the faces of the law enforcement personnel, one standing by blankly while the other conducts the inquiry with what sometimes seems like remarkable hesitation – though maybe this is because they know they are being recorded.

A Growing Trend in Documentary Filmmaking

We have already had the streaming service true-crime documentary American Murder: Gabby Petito, about the killing of an social media personality by her boyfriend, whose main point of interest was officer recordings and in which, as in this film, the law enforcement seemed surprisingly lenient with the suspect. There is also the acclaimed short film Incident by Bill Morrison, composed entirely of body cam film. Now comes a new film by Geeta Gandbhir about the grim case of Ajike Owens in a city in Florida, a woman of colour whose four young kids allegedly harassed and tormented her white neighbour, Susan Lorincz. In 2023, after an increasing number of neighbour-dispute incidents in which the police were repeatedly called, the accused fatally shot Owens through her locked door, when Owens went to Lorincz’s house to address her about hurling items at her children.

The Investigation and State Laws

The arresting officers found proof that the suspect had done internet searches into the state's self-defense statutes, which permit residents and others to use firearms if there is a reasonable belief of danger. The documentary builds its story with the body cam footage generated during the multiple officer calls to the scene before the killing, and then at the disturbing and disordered crime scene itself – introduced by 911 audio material of the caller calling the police in a melodramatically shaky voice. There is also police cell footage of Lorincz which has a chilly, queasy fascination.

Portrayal of the Accused

The documentary does not really suggest anything too complex about Lorincz, or any extenuating circumstance. She is clearly unstable, although the children are heard calling her “the Karen”, an hurtful taunt. The production is showcased as an example of how self-defense regulations lead to senseless and tragic bloodshed. But the reality of gun ownership and the constitutional right (that longstanding U.S. legal right that a late commentator notoriously said made firearm fatalities a price worth paying) is not much emphasized.

Police Interrogation and Firearm Norms

It is possible to watch the police interrogation scenes here and feel surprised at how minimal concern the officers took in this aspect. At what time did she purchase the firearm? Where (if anywhere) did she train in its use? Had she ever had occasion to fire it before? Where did she store it in the house? Could it have been easily accessible and prepared? The authorities aren’t shown asking any of these surely relevant questions (though they could have inquired in recordings that were not included). Or is possessing a firearm so commonplace it would be like asking about microwaves or bread heaters?

Arrest and Aftermath

For what appeared to her local residents a very long time, the suspect was not even arrested and charged, only detained and even provided accommodation away from home for the night (another parallel, incidentally, with the Gabby Petito case). And when she was ultimately formally arrested in the holding cell, there is an remarkable scene in which Lorincz simply refuses to stand, will not extend her arms for the handcuffs, not hostilely, but with the politely self-pitying air of someone whose psychological state means that she is unable to comply. Did the gentle handling up until that point led her to think that this could be effective?

Conclusion and Verdict

It didn’t; and the panel's decision is revealed in the end titles. A very sombre portrayal of American crime and punishment.

This Documentary is in theaters from October 10, and on the streaming platform from 17 October.

Christopher Ramos
Christopher Ramos

A certified tax professional with over a decade of experience in small business taxation and financial consulting.